PATRICIA FRISCHER, the coordinator of the San Diego Visual Arts Network, writes these occasional notes. You are invited to comment on them and all comments will be read. SDVAN has the ability to choose which comments to publish and anonymous comments will not be posted nor will links to commercial or spam sites. We are grateful to you for taking the time to read this blog and invite you join this mailing list or that of www.sdvisualarts.net
The City of San Diego draft Cultural Arts Master Plan has been released. This is the
first ever cultural plan for the city of SD and was led by Jonathon Glus over the last 18 months. The plan outlines four main goals, each with
specific strategies and actions:
1. Centering Artists: Support artists and cultural organizations through
affordable spaces, expanded funding, and capacity building. 2. Arts in Community: Increase access to arts and
culture throughout the city, with a focus on historically under-resourced
areas. 3. Creative Entrepreneurship: Foster growth of the creative
economy through business support, workforce development, and industry
partnerships. 4. Global Creative City: Elevate San Diego’s profile as
an international hub for arts, culture and creativity.
Some
of the strategies we appreciate include:
Expand
San Diego’s branding image to incorporate the arts, culture and creativity.
Create
a formal designation and support program for arts and cultural districts and
creative enterprise zones.
Expand funding
available for individual artists and Create artists fellowships or
residencies
Facilitate
targeted convenings,
Streamline
procurement and contracting processes
Expand
existing “culture pass” programs leading to free access
Julie
Dixon Evans
from KPBS adds to that list with the following strategies for funding: “The
"Penny for the Arts" policy, which allocates 9.52% of Tourism
Occupancy Tax revenue to art and culture; research and development of an
"admissions fee" for public/private entertainment and sporting
events; a foundation to lead funding efforts; …partnerships with the specific
goal of affordable housing for artists and affordable creative spaces…”.
All
of this calls for more staffing positions besides coordination with Park and
Rec and Libraries. There were lots of convening with the Commission , staff and with the public to complete this document and recommendations are still be accepted. It is hoped that the plan called Creative City will be approved by the City Council early in 2025.
Both Carlsbad and Oceanside have an approved up to date arts master plans and Encinitas has had one percolating for years. We would like to see all cities set these goals and have strategies to achieve them.
Don't miss the Creative City Open House on Sept. 7,
2024, at the Comic-Con Museum from 9 a.m. to noon to learn about the cultural
planning process. Mayor Todd Gloria will kick things off with opening remarks
and an overview of the draft cultural plan. The remainder of the morning will
be organized around informal conversations about the draft recommendations
where you can share input on the draft plan. Event details are available at
sdcreativecity.com under Get Involved.
The four-part series ofArts and Health Webinaris
presented by California for the Arts. The first one I am reporting on is
Health Benefits of Arts Engagement and the Importance of Involving Community Organizations
in Research.
Please note: It was important for me to understand the
difference between Arts Prescribing and Social Prescribing. Jill Sonke answered
my question as she explained in her text to me that there are five areas of
social prescribing: Arts &
Culture, Heritage, Nature, and Physical Activity. Much of the webinar
includes all these areas, but I tried to concentrate on Arts and Culture,
naturally.
The poet Ivory Rose set the stage for this
discussion on Social Prescribing with a specially commission work. Bringing a
little art into this talking head event was appreciated.
Alan Seigalrunsthe website Social
Prescribing USAwhich
has a mission to make social prescribing available to every American by 2035. He
divided the needs into crisis areas, Mental Health, Aging, Health Care, and Civic Capitol.
Art Prescribing can improve all these areas by reducing anxiety, depression,
PTSD, blood pressure, diabetes. By bolstering immune system, improving brain
cognition, managing pain, improving fine motor skills and coordination, developing
empathy, boasting confidence and identity, improving memory, increasing civic
engagement and social tolerance, lessen loneliness while increasing inclusion.
There are no side-affects with an art prescription. It is
cheaper than meds and has the extra benefit of dealing with many inequality
issues.
The plan is you still to go to your GP who refers you to a
social prescribing service and they then assess and direct you to the best
possible prescribing services by asking questions like: What matters to you?What brings you joy and meaning?
Seigal pointed out that in the beginning using the existing
health system is prudent as that is
where the money is now. But in the future, any trained person might advise am
art prescription.
Jill Sonkearea is research. You need evidence-based
policies if you are going to drive investment. She thinks we are on the cusp of
that happening in the next five years. Thirty countries already use social
prescription, lead mainly by the British. But there are 40 pilot projects in
the USA and out of 23 studies, 17 are for art prescribing. The next steps are
public awareness. Art
Prescription Field Guild can help with that.
Although we don’t know what form this will take in the USA,
system outcomes show that we gain in health equity, return on investment,
health system cost savings to name just some of the areas being explored. The
studies already show that older adults have 20% less chance of being depressed
if they engage in one art activity a month. This art for health push will
impact all the arts ultimately to increase participation.
Christina Eskridge gave
the last presentation. She started the Elevate Theater Company to
combine her interest in the art with training in health. They aim to create
space for audiences and artists to explore health and well-being through the
art of storytelling. She is also on the board of Arts for
EveryBody a national data gathering project. Take the survey to help them fulfill their
mission.
During the presentation there were a number of organizations
mentioned that have been working in this field. NOAP
National Organization in Arts in Healthis the grandfather of
thesebut all the links above plus the recent CA Art and Health Summit
2024 will be a real education for those wanting to know more.
I was only able to hear Elizabeth Markle, PhD,
Co-Founder/Executive Director from OpenSource Wellness. Her group set up a program with only experiential workshops.
Each one is geared to the people present as there is no set program, But the
concept is that the way forward is 1. Movement i.e. exercise, 2. Nourish i.e. diet, 3. Connect i.e. community, 4. Be i.e Stress
reduction. The arts can fit into all these categories. They already have proof
of concept which has helps with funding. Their clients has experienced a drop
in emergency visit, lower blood pressure, and a better rate of consuming fruits
and vegetables. They have been so
successful that they had to decide whether to spread the program nationwide, or
become trainers to the trainers. Knowing
how important local contacts are in the process the chose the education route
of Health and Wellness trainers. They
have been using the YMCA for this project development. I loved her description
of how to raise money to support all these efforts: Braided funding i.e.
interwoven at all levels.
In the third seminar on September
4th: Exploring Workforce Development for Arts & Health Initiativeswe learned
more about efforts in Scotland and Chicago but the info presented by Ping Ho
for the Arts and
Healing Initiative was the most stimulating and most local as it is out
of LA. There
program SEA (Social and Emotional Arts) was clear and repeatable with lots of
information on their website. There are one day workshops and certificate
programs. They not only train the trainers but have expanded to train some of
the youth to become leaders. None of the pilot and developed programs have yet
cracked the insurance payment hurdle, but the data now being gathered some
certainly help to push that forward.
Julie Baker from California for the Arts gave the steps to
take for an advocacy for Art Prescriptions using the messaging Artist are the
Second Responder. Legislature created to make April Arts and Culture month
using that message to re-enforce that artists are essential. CAC has made
health one of the 7 priorities of the organization. In 2024, introducing AB2250
to get insurance to pay for screening of art as a social determinant of health.
Steps for advocacy:
Plan your campaign
Create Awareness
Generate Engagement
Encourage Action
Sustain Momentum
So one last suggestion for everyone reading this: Start to talk up Art Prescriptions so we create a buzz on this subject.
Of course, it is best for you to watch the sessions for yourself. Here are the videos below: